Friday, May 7, 2010

Sit-Down: Nicholas Orsini



You won’t find Nicholas Orsini, a recent graduate of Marist College, working as a barista or stocking shelves. Despite the horrific state of the economy and the inevitable fate of college graduates everywhere, Nick Orsini has written and self-published a book.
The Radio/TV/Film student has always had a knack for thinking outside the box – clearly evident in his first book entitled Two Wrongs Make A Vice. The book is an ode to his early teenage years while painting vivid images using colourful language and modern slang. Through the book, we see an open-minded protagonist that is caught in very common teenage situations while analyzing his every move using a very in-depth form of contemplation. The book’s most striking characteristic is its emphasis on the impact music makes to his teenage and post-collegiate years.
I recently sat down with Orsini – we discussed details about Two Wrongs Make a Vice and the writing process.
Generator Magazine (GM): “How did you come up with the title of the book?”
Nick Orsini (NO): “The title of the book was found on Facebook extremely late one night. Someone posted an album of pictures with this really long title that began, "Two wrongs make a vice..." I'll just give the credit for the book's title to social networking in general. This entire novel is meant to have a generational feel to it, and to start it off with a Facebook reference just seemed to capture that.”

GM: “What audience are you trying to inspire with this book?”
NO: “I wrote this book with a 15-20 year old audience in mind. My editor and I reworked the book countless times to get the tone right. We wanted something with substance that wasn't a chore to read. I wanted to write a book for people who don't like to read. I looked at the lengths of my favorite novels and realized that they weren't these gigantic sweeping epics, but rather compact and insightful works that pride themselves on the careful and right combinations of words.”

GM: “The chapters in the book are mix-tape track names. How do you come up with the tracks of each song/chapter?”
NO: “I put out a call via Twitter and Facebook for people to just send me the most random sentences they could. I got over 200 responses and used my favorite ones as the chapters in the book. Some of them were written by my friends, some were written by strangers. It plays off this lofty idea that your song title needs to have nothing to do with the message of your song.”

GM: “Are you ever nervous that you've disclosed too much about your life in the book?”
NO: “Nah...The characters in the book are combinations of people I've known throughout my life. Obviously, the main character walks in some familiar shoes, but thats the joy of writing. The character I've written acts and reacts different than I would. The supporting characters in the book are sketches of various people. I was pretty nervous about having my family read certain parts of it. My mom is a kindergarten teacher, so she understands how creativity takes you in some unique directions. My friends have been amazingly supportive of the work. The idea behind the characters is that they are people everyone meets over the course of their young life. The last line in the book reflects the main idea of the whole story. I'm a sucker for last lines so I felt pretty compelled to write a good one.”

GM: “What made you want to write a book?”
NO: “I went to Marist for Radio/TV/Film and Cinema Studies. While I was completing my degree, I realized that narratives, even those you structure around an exam question or a paper, were my real passion. I might get in some trouble for saying this, but college is this gigantic story and yes, it involves classrooms and assigned readings, but perhaps more importantly it involves how you build up relationships with other people. I had wanted to write a book since I was 18, and every summer I would write 30 pages and hate it. It wasn't until my 22nd summer that I became ok with the story. Two years removed and I still have a great affection for my time at Marist. The people I met, professors and peers, are on every single page of Two Wrongs Make a Vice. I owe them a gigantic thank you.”

GM: “How long did it take to write?”
NO: “I began the book in May 2008 and finished the rough draft in December of 2009. It went through 5 rounds of editing. The original manuscript was 250,000 words. The final manuscript is about 80,000 words.”

GM:” Is there a way for readers to contact you?”
NO: “Yes! People can e-mail me at readattheshow@gmail.com or find me on Twitter. (twitter.com/NICKORSINI or twitter.com/READATTHESHOW) I am always looking for people to read my book and I love getting feedback.”

Want a copy of Two Wrongs Make A Vice? Generator Magazine is giving away one copy of the first edition to go to print. If interested, Direct Message us at @GeneratorMag with your name and phone number.

Monday, May 3, 2010

I Was There: Echo & The Bunnymen



The Fairfield Theatre Company at the Klien welcomed the 80’s post-punk band to Connecticut for a spectacular and intimate performance. After an impressive opening performance by Kelly Stoltz and a round of his stalker-esque trivia about the band, the group took the stage and immediately killed the lights.

Ian McCulloch, lead vocals, couldn’t get the house shadowy enough as he let go his dark lyrics and sinister chords. Their iconic 80s sound kept its promise by echoing clear and feeling numinous. Breaks in play were filled with short but (generally) love filled heckling from the audience. One fan requested McCulloch take his glasses off, which he kept on the entire performance. Ending his set with fight-hair, a hoodie, sunglasses and a ring of smoke (he went through nearly half a pack during the show) he looked more rock and roll than anyone the audience had ever laid eyes on, off MTV.

The group is best known amongst college-aged listeners for their single The Killing Moon which was on their 1984 CD Ocean Rain. It was also the scene music for the first sequence of the 2001 cult classic Donny Darko (theatrical version). Their first single to make it on a soundtrack was Bring on the Pretty Horses, the final song for John Hughes’ Pretty in Pink. It recently made a comeback on the Hot Tub Time Machine soundtrack.

Bunny-aficionados could be happy to have the chance to see McCulloch back on stage with fellow member Will Sergeant, another of the original Bunnymen. The group reformed in 1997 after a nearly decade long split. Of late, bass player Les Pattinson left the group after their reunion album Evergreen reached success. Most recently McCulloch and Sergeant released The Fountain in 2009.

The band wasn’t the only thing being discussed in the post-show adrenaline jabber. As the admirers spilled into the parking lot revenge was on their tongues. Towards the end of the show a fan, sick of the tongue and cheek exchange McCulloch had with fans, jumped on stage and took a swing. He was immediately crushed under a pile of security, band-mates and roadies.

The group ended the night with covers by The Velvet Underground and James Brown.

-Justine Mann

Tuesday, April 27, 2010

Sit-Down: Moving Mountains

This weekend is Marist College's Spring Concert. For those not attending, it is also Bamboozle weekend. The festival is headlined by Paramore, Weezer, Something Corporate, Drake and MGMT.

I am attending the Festival on Sunday. For those attending the festival, I highly recommend Moving Mountains - an experimental rock project from the area. (Purchase, NY) The band will be playing a highly anticipated set on Sunday of the Festival.

I recently sat down with Greg Dunn, vocalist/guitarist of Moving Mountains. Here is what he had to say about Bamboozle, the band and pizza.

Generator Magazine: For those who don't know the Moving Mountain name, describe your sound.

Greg Dunn: As any band would probably agree, that's a tough question to answer. Our sound is always evolving, and we're still exploring that. I like to say we're an aggressive rock band with ambient, and post rock influence.

GM: You're from Purchase, NY. Was it hard starting a solid fanbase in what seems like a low-key music scene?

GD: Absolutely. We're still little known in the Purchase scene. People know us, but on a more personal level. We're all friends. Although we don't live in Purchase, we attend the College there, where there is a fairly thriving music / art scene. It's very dense, and there's a lot of musicians and artists, so it's easy to get lost in the shuffle. But yeah, we've found our fans extend around the world, and not as much concentrated in one single area. Gotta' love the internet.

GM: Name some of your musical aspirations? Do you get your sound from them?

GD: Oh god, so many. Some of my biggest aspirations (musically, and everything else) come from bands like Thursday, Hammock, Springsteen, Pedro The Lion, Peter Gabriel. It's hard to really pin point, as you become inspired everyday but so many things. Some of my more recent favorite records include As Cities Burn, Underoath, David Bazan. I do get a lot of musical influence from these people, but find I feel overall aspirations through them. I think that's more important, too.

GM: Have you prepared any surprises for Bamboozle 2010?

GD: I suppose If I told you, I'd ruin it. But honestly, nothing crazy. We're hoping to perform a new song off our record. It's going to be fun for us, as we haven't been on the road in a few months. We may pass out. We get out of shape really easily. That could be fun to watch.

GM: Who are you looking forward to see at Bamboozle 2010?

GD: Minus The Bear, Piebald, Say Anything, All The Day Holiday, Mute Math, Dear Hunter, Polar Bear Club... I'm mostly excited just to talk to everyone. I'm still, and always will be, a major fan boy. That stuff never gets old for me. To meet some of the people whom inspired me to be in a rock band. It's a crazy feeling.

GM: Are there any big plans on the horizon? (album, tour, families, etc.)

GD: We're wrapping up writing our 2nd full length (and first full length as a full band), and will be heading into the studio in the coming months. We're also finding a new place to release the record and call home. Have some tour planned this summer (which I'm insanely stoked on), and then more touring in the fall. I'm also going to be an uncle. I can't wait to be the cool uncle that's in a rock n roll band.

GM: Fill in the blank: The best band we toured with was ___________.

GD: That's tough! The most overwhelming experience for me was probably Thursday. It was overwhelming, and at points almost distracting. I had to constantly ground myself, because I couldn't believe we were sharing the same stage multiple nights in a row. I think the most fun I had was on tour this past fall with Moneen, Eisley and Say Anything. I would love to be on the road again with Moneen. They're such a great band, and you end up learning how to become a better band, just from being around them.

GM: Fill in the blank: I am on the road and I am craving _____________.

GD: Pizza. Or anything that I can find on the road that's edible. Being a vegetarian in a band of meat lovers can be tough at times..

Set times will be announced soon here. Check out the band's music here.

-Nicholas Palumbo

The Leadership Institute


























On April 19th, the Dean's Circle was invited to tour the grounds of the new Raymond A. Rich Leadership Institute that was donated to Marist back in January. Raymond A. Rich, upon his passing at age 97 in June of 2009, decided that the building across the river--and previously owned by the Marist Brothers--would be best enjoyed and used by the college once more.

This estate, along with the property it's on, has deep roots in the Hudson River Valley region. The mansion that stands there today was commissioned by Colonel Oliver Hazard Payne and built by the famous Carrère & Hastings in the early 1900s. The Marist Brothers purchased the mansion in 1942 after some years of inactivity and used it to house the Wiltwyck School for Boys, which focused on helping emotionally disturbed children. After twenty years of operation in Esopus, the school relocated in 1962, and the property was sold off in parcels. Raymond A. Rich eventually purchased the main house and 60 acres of the property after his retirement in the 1970s, and the rest is history.


Above are some pictures from the Dean's Circle visit!


-Sarah Dubrule

Friday, April 23, 2010

Bonnaroo Festival Preview





Summer means three things: the great outdoors, new music and no responsibilities. And no other music festival embodies these three aspects better than Bonnaroo Festival.

Bonnaroo Festival, the annual 4 day event out of Manchester, TN, is the modern day equivalent of the Woodstock-based Festivals just an hour north of here. The festival has been praised for its wide variety of popular and up-and-coming musicians. Artists such as Jack Johnson, DJ Z-Trip and My Morning Jacket have graced the stages at Bonnaroo. The festival is also famous for its excellent camping accommodations and for being one of the only environmental-conscious festivals in the Western Hemisphere.

This year, Bonnaroo 2010 will be held on the same site in Manchester, TN on June 10-13. The superstar line-up is headed by Dave Matthews Band, Kings of Leon, Stevie Wonder and Jay-Z. The entire line-up can be found here.

In celebration of the festival, I recently took part in a press conference (over the phone) with members of Weezer, The National and Rise Against. I learned about what each band is doing to prepare for the festival and other fun facts about each band. Here is an excerpt of what I asked Scott Shriner, the current bassist of one of my favourite bands - Weezer.

Nicholas Palumbo: As you know Jay-Z and Beyonce collaborated this past weekend at Coachella. Is there any Bonnaroo artist that you would be interested in collaborating on stage with?

Scott Shriner: What would be cool? I guess just for me like – I guess Stevie Wonder would be unbelievable, that guy is such a hero of mine. And I think there was an old Jay-Z/Weezer kind of mash up song a long time ago. So maybe we can get him to come out and do something with us too.

Nicholas Palumbo: What kind of festival food do you crave?

Scott Shriner: I don’t know. I’m not a big fan of ribs. I’m just not into having giant rib bones in my mouth that much. But I do like the messed up sausages that are all burned up and been out there all day long. So I guess that gets you kind of craving that.

I will definitely be taking the trip down for the festival. Will you?

PS: Check out the late night tent roster and the new Ben & Jerry's Bonnaroo-inspired flavour.

-Nicholas Palumbo

Sunday, April 18, 2010

I Was There: The Flaming Lips

With the countdown for our Spring Concert weighing in at 14 days, it certainly is the season for springtime college festivals.

Last night, Vassar College's ViCE organization held its spring concert for its student body and surrounding committee. With a fall line-up of Grizzly Bear and Beach House - who arguably have the best albums of 2009 and 2010 respectively - how was the spring concert going to top such a musical line-up.

The bill featured the likes of The Hood Internet and Stardeath & White Dwarfs headlined by The Flaming Lips.

The Hood Internet opened the whole show. The duo, best known for their Chicago-town pride and mash-ups, set up their laptops and mixers and went to work. I immediately went to work trying to figure out all the artists/songs used - but was able to only identify half of the samples. Lykke Li, Cut Copy, Kanye West, Biz Markee...the list goes on. The Hood Internet have several mixtapes available for free (.mp3, .zip format) at their website here.

Stardeath and White Dwarfs played next. In the moments leading up to their performance, few people in the crowd had no clue has to who exactly this band was, why the band was opening for The Flaming Lips and more importantly, "How would the crowd react to them?" Those who knew about the band only knew that they worked with The Flaming Lips on their recent reworking of Pink Floyd's Dark Side of the Moon. However, those who seemed skeptical quickly put all distrust behind them. Certainly, S&WD put their music where their mouth is and put on a great, long psychadelia/noise set.

I made my way to the photo pit for The Flaming Lips, shaking with anticipation. Their live sets are littered with fun visuals, including loads of confetti, lasers and balloons. However, words will never be able to describe fully what it is like to be down in the photo pit and shoot for a concert where hundreds of things are happening at the same time. The band played hits from their discography, which dates back to 1986's Hear It Is. The encore was the only tracks I took note of, which included "Eclipse," the last and final song on Pink Floyd's Dark Side of the Moon. Wayne and Co. politely asked the Stardeath & White Dwarfs on stage to play the recomposed song off of their album. Following that, the band went into a confetti-fueled sing-a-long to the commercially popular "Do You Realize??"

Some photos I took of the show are below...



-Nicholas Palumbo

Tuesday, April 13, 2010

Steve Hofstetter at Mahoney's

The first, and hopefully not the last, comedy show at Mahoney’s Irish Pub and Restaurant was held Thursday, April 1. Steve Hofstetter, the original columnist for Collegehumor.com and touring comedian, was the headliner.

Hofstetter was not against making fun of any topic; Twilight, abortion, race and Walmart employees were all part of the show. The Marist crowd including those who took advantage of discount tickets that were given out to college students in order to promote the comedian to colleges. There was a Vassar crowd there as well, across the room with about three tables and the stage in between. They understood less of the more intellectual jokes than the Marist students (or so the opening comedian observed, and later thanked the Marist students for).

Hofstetter currently hosts “The Sports Minute (Or So)”, formerly hosted “Four Quotas” on Sirius radio for two years, and was a weekly columnist for Sports Illustrated and the NHL. He has appeared on CBS' "Late Late Show with Craig Ferguson," the syndicated "Comics Unleashed," E's "True Hollywood Story," Showtime's "White Boyz in the Hood," ESPN's "Quite Frankly," VH1's "The Countdown," CW's "The Daily Buzz", and G4's "Attack of the Show.”

His first album was “Dark Side of the Room”, the first ever pay-what-you-want album, “since it was going to be stolen anyway.” It is currently available as a free download for the first 1 million students . “Cure for the Cable Guy,” his second album, reached #20 on the comedy charts. His third album was recently released, titled, “National Lampoon’s Balls!” He has also written three books.

Read more about Steve and check out videos of him on his website and follow him on Twitter @SteveHofstetter.